
Technique Patterns - Compound Stickings
Group A Stickings (pg. 35-39)
Group B Stickings (pg. 40-46)
Group C Stickings (pg. 47-49)
Group D Stickings (pg. 50-52)
Group E Stickings (pg. 53)
Studies Involving Sticking Mixtures (pg. 54-58)
Moving An Accent Through A Rhythm (pg. 59)
Applying Compound Stickings to the Drum Set (pg. 60-70)

Sticking Patterns - Polyrhythmic Stickings
Rhythmic Figures Over Large Spans of Time (pg. 55-57)
Studies on Quarter Note Based Figures (pg. 58-78)
Studies on Dotted Quarter Note Based Figures (pg. 79-86)

Syncopation - 8th Note Fills
Lesson Four: 8th Notes & Quarter Notes (pg. 10-11)
Lesson Twelve: 8th Note Rests (pg. 30-32)
8th note rhythms can be played as fills by moving the notes around the drum set.
Parallel motion - Both hands move in the same direction
Contrary motion - Both hands move in different directions
Oblique motion - One hands move around the set while the other hand stays in the same place
You can also experiment with different stickings. You could use single strokes, or you could play double strokes on the 8th notes, or you could play unisons.
Once you’ve experimented with these motions try setting up a 4 bar phrase, with 3 bars of playing time and 1 bar of fill.
Practice these 4 bar phrases by playing along to music.

Technique Patterns - Hand / Foot Combinations
Basic 16th Note Exercises (pg. 34-39)
Combinations of 16th Note Figures (pg. 40)
Exercises Using 32nds (pg. 41)
16th Notes with Flams (pg. 42)
Basic Triplet Exercises (pg. 43-45)
Combinations of Triplet Figures (pg. 46)
Triplets with Double Time 16ths (pg. 47)
Triplets with Flams (pg. 48)
Mixed Rhythms with Doubles (pg. 49)
Mixed Rhythms with Singles (pg. 50)

Technique Patterns - Speed & Endurance
Exercises on Finger Control (pg. 5-9)
Endurance Exercises For Singles (pg. 11-12)
Endurance Exercises For Doubles and Buzz Rolls (pg. 13)

Sticking Patterns - Compound Stickings
Group A Stickings (pg. 35-39)
Group B Stickings (pg. 40-46)
Group C Stickings (pg. 47-49)
Group D Stickings (pg. 50-52)
Group E Stickings (pg. 53)
Studies Involving Sticking Mixtures (pg. 54-58)
Moving An Accent Through A Rhythm (pg. 59)
Applying Compound Stickings to the Drum Set (pg. 60-70)

Sticking Patterns - Singles & Doubles
Accented Single Strokes (pg. 5-7)
Single Accents (pg. 8-9)
Double Accents (pg. 10-11)
Triple Accents (pg. 12-13)
Quadruple Accents (pg. 14-15)
Studies Involving Accented Single Strokes (pg. 16-25)

Rhythm & Meter Patterns - Polyrhythms
Rhythmic Figures Over Large Spans of Time (pg. 55-57)
Studies on Quarter Note Based Figures (pg. 58-78)
Studies on Dotted Quarter Note Based Figures (pg. 79-86)

Rhythm & Meter Patterns - Mixed Rhythms In Odd Meters
Studies on Quarter Note Based Figures (pg. 19-36)
Studies on Dotted Quarter Note Based Figures (pg. 37-42)
Meter Studies (pg. 43-54)

Rhythm & Meter Patterns - Subdivision Combinations
Dynamics (pg. 5-12)
Exercises on Quarter Note Based Figures (pg. 16-17)
Studies on Quarter Note Based Figures (pg. 18)

Syncopation - Quarter Notes & 8th Notes
Lessons One, Two, Three: Quarter Notes & Rests (pg. 4-9)
Lesson Four: 8th Notes & Quarter Notes (pg. 10-11)
Lesson Twelve: 8th Note Rests (pg. 30-32)